transparencies also made by the FSA/OWI are available in a separate section of the catalog: FSA/OWI Color Photographs view description. Horne and Margaret Watkins, also produced works that displayed the influence of Modernist abstraction. Randolph, (Miss) Alice Reeder, (Miss) Anna Robison, Emma Schultz, Lena Simpson, Florence Tremelling, Anna. Spending much of her life working as a nanny, Maier didn't approach the artistic industry by any means but is considered by many, myself included, to be one of the true masters of photography. Bennett, (Mrs.) William.
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Klostermann, Rosie Lasley, (Miss) Anna McGinn, (Miss) Mickel, (Mrs.). The Secessions name was taken from the avant-garde secessionist movements in Europe that sought to differentiate themselves from what they considered outmoded ways of working and thinking about the arts. Weeks, Mathilde Weil, Eleanor Willard, Hallie Elizabeth Wilson, Aimee. Using large-format (8-by-10-inch.3-by-25.4-cm) equipment with lenses stopped down to the smallest aperture, Weston, whose earlier career had been in commercial portraiture, formulated a method of rendering the very substance and quintessence of the thing itself, whether it be polished steel or palpitating flesh. New York, et al: McGraw-Hill Book Company, 1979. Its membership tripled, but more important still were the thousands of sympathizers who endorsed party-supported causes. Thayer, Eleanor Thompson, Virginia. Cutting, Grace DArcy, Elsa Dorfman, (Mrs.) Susan Durham, Cheryle Easter, Lynn Estomin, Muriel Beardsley Flint, (Miss) Margaret. "A Gallery of California's Lady Shadowcatchers, The Californians, vol. A Photo Essay on the Great Depression. 3-4 (Fall-Winter 1995 entire issue.