the power of language will become the slaves of those who retain itbe they politicians, preachers, copywriters, or newscasters. His sense of addressing a large and diverse audience added humor, breadth, and humanity to his previously minimal verse. (Today even influential jazz innovators cannot find places to perform in many metropolitan centersand for an improvisatory art the inability to perform is a crippling liability.) Much serious drama is now confined to the margins of American theater, where it is seen only by actors. From 1984 until this year the National Book Awards dropped poetry as a category. It might be required to apply formal language or it can be aptly to use jargon. Describe what you feel and specify what exactly made you feel sad, angry or delighted.
His poems are best known for being extremely grim and macabre, but with a hint of Romanticism in them. Anthologies should be compiled to move, delight, and instruct readers, not to flatter the writing teachers who assign books. Though supported by a loyal coterie, poetry has lost the confidence that it speaks to and for the general culture. Compiled in the spirit of congenial opportunism, many of these anthologies give the impression that literary quality is a concept that neither an editor nor a reader should take too seriously. Isolated even within the university, the poet, whose true subject is the whole of human existence, has reluctantly become an educational specialist.
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America is also a country rich in migr poetry, as major writers like Czeslaw Milosz, Nina Cassian, Derek Walcott, Joseph Brodsky, and Thom Gunn demonstrate. The public responsibility of poetry has been pointed out repeatedly by modern writers. Or they might become farmers, like the young Robert Frost. In 1940, with the notable exception of Robert Frost, few poets were working in colleges unless, like Mark Van Doren and Yvor Winters, they taught traditional academic subjects. Anthologies are poetrys gateway to the general culture. The comprehensive collections of writers like Frost, Eliot, Auden, Jeffers, Wylie, and Millay sold very well, were frequently reprinted, and stayed perpetually in print. If the audience for poetry has declined into cs lewis online essays a subculture of specialists, so too have the audiences for most contemporary art forms, from serious drama to jazz.